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antique article libraryArticle Archives

Spring 2008

The Wonderful World of Toy Collecting. Great information here! Here you can also find a great page with photos of antique toy company logos.

The International Guild of Lamp Researchers Ltd. has a very informative site with a searchable patent database and a lamp term dictionary.

Nazi Dagger and Weapon Gallery and about Technical Emergency Emergency Corps (TENO).

About Carder Steuben Glass, from Arts & Antiques Around Florida, by Sandford I. Gadient.

Mechanical Bank Collectors of America with Auction Prices Realized.

The Herend Guild Library and About Herend Porcelain.

Winter 2007

About Gustav Wiegand

Past auction results for Cesare Felix dell' Acqua.

The Guilded Edge: The Art of the Frame, with info about Thulin frames.

Whites of Utica, by David Roche,

Unraveling the Mystery of Mary Gregory Glassware.

Fall 2007

Simon Halbig bisque doll prices.

Antique toys as an investment and more. A wonderful and comprehensive site about toy collecting with glossary, so easy a cave-child could do it. By Antiquetoys.com.

Visit Dave at the Micanopy Appraisal Fair Saturday, October 6th. See Gainesville Sun article.

HO Scale Model Trains from:  (Model Train Station)

The American Van Gogh--The Unknown Night: The Genius and Madness of R.A. Blakelock, an American Painter.

"Gun may have been Hitler's - Rare German firearm to go up for auction"

Stickley Era Information: The Stickley-Brandt Famil

Summer 2007

Shotgun and rifle encyclopedia overview from Wikipedia

Roseville Pottery Shape Numbers in chronological order.

About Micanopy, Florida

About Jerry Uelsmann

Roseville Identification & More & The Remarkable Porcelain of Prussia: About R.J. Prussia

Decorated Stoneware Cooler brings $59,950 by Maine Antiques Digest

History of and all about Rockingham Pottery

About American Renaissance Revival furniture and John Jelliff

United Kingdom Belleek Collectors' Group.

American Belleek: Irish Porcelain in the New World.

 About Royal Doulton Toby Jugs

About Harry Shourds-Record decoy & bird sales by Maine Antiques Digest.

Spring 2007

British cabinetmaker, George Hepplewhite, whose elegant designs, now greatly admired, were considered unfashionable in his day...Read More.

History of the Radio Flyer Wagon.

BBC Antiques Roadshow--Guidelines to proper care of your antique furniture, with tips and advice on how to clean and maintain your furniture.

 

Winter 2007

 

Nothing Tacky About These Souvenirs, Antique Week, Feb. 26th.

Florida Souvenirs 1890-1930, by Larry Roberts, Antiques and Arts Around Florida.

LEADING AUTHORITY ON VINTAGE FLORIDA SOUVENIRS AND MEMORABILIA SET TO SELL PERSONAL COLLECTION:  Larry Roberts, author of “Florida’s Golden Age of Souvenirs 1890-1930” will offer most of his personal collection of Florida souvenirs at Turkey Creek Auctions in Citra, FL on March 3.

For collectors of vintage Florida souvenirs, memorabilia and collectibles, the pearly gates are about to swing wide open. Larry Roberts, the acknowledged guru on the subject and the author of “Florida’s Golden Age of Souvenirs 1890-1930” and a consultant for the Florida History Museum in Tallahassee, has engaged Turkey Creek Auctions to dispose of the bulk of his personal collection as well as the inventory of his retail shop in Micanopy, FL. This once in a lifetime opportunity will start Saturday March 3 at 4:30PM beginning with the postcard collection. It will be held in the Turkey Creek Auctions barn in Citra, FL, 13 miles north of Ocala on U.S. Highway 441.

 The sale of Roberts’ collection with no additions will consist of around 25,000 – 30,000 smalls that will be offered in selected groupings and between 50,000 and 60,000 vintage  postcards, also to be offered in groups in addition to the larger single items.

 Virtually all of the items pictured in Roberts’ book will be included in the inventory. Of special interest is the large polychrome plaque by Florida artist Olive Commons. The plaque, one of Commons’ largest works, is featured on the inside cover of the book. It is conservatively estimated to sell in the $3,000/$5000 range. Other works by Commons from the 1920s and 1930s will include Florida art, jewelry and porcelain. Special creations by Stuart, FL metal smith and artist Serge Nekrassoff, including some of his trademark large pins will cross the block. Many of these items were acquired by Roberts directly from the Nekrassoff family.  Also being offered is a large collection of Florida pottery including works from Merritt Island Pottery, founded in 1937, Floramics from the 1940s  and Silver Springs pottery from the 1930s as well as hand colored photos and prints by early 20th century Florida photographers and artists William J. Harris and Esmond G. Barnhill including many of their prints shown in the book. The auction inventory additionally will include vintage Florida fishing tackle, Indian artifacts, Seminole dolls, Florida ephemera and Florida themed shieldware.

 Robert’s collection was hand selected by him from all over the country through the years as he traveled the country, buying and bartering to augment his inventory which today includes several rare alligator steins that are expected to sell in the $400-$800 range, selected alligator carvings ranging from the 1870s to the 1920s, some very rare Florida spoons in the $200-$400 range and souvenir Florida china found in nooks and crannies all over the United States. Roberts’ authoritative book is currently available on Amazon.com with free shipping and can be found at selected bookstores.

Turkey Creek Auctions has been in Central Florida for over twenty years and conducts twelve regular monthly auctions each year in addition to special events like the Larry Roberts sale. Auction owner Charles David Glynn will be accepting absentee bids for this sale. Preview for the sale will be Friday March 2 from 5:00PM to 8:00PM at the Auction facility. Turkey Creek Auctions is located at 13939 N. Hwy 441 in Citra, 13 miles north of Ocala. Visit the website at antiqueauctionsfl.com for directions and more information or call David Glynn at (800) 648-7523 for details.-- compliments Fred Taylor

Our Florida Collectibles Auction was held Saturday, March 3rd. This auction featured many items from the collection of Jeannie and Larry Roberts including many items from his book, "Florida's Golden Age of Souvenirs: 1890-1930."

 

His book is described as "The first exploration of Florida’s enormous legacy of souvenirs—the material culture of tourism. Florida’s sense of place is defined through the crafts and manufactured objects that present a template of tropical paradise and natural wonder."--Robert S. Carr, The Nature Conservancy, Miami. 

 

Roberts of Gainesville is a consultant for the Museum of Florida History in Tallahassee and the author of articles in such publications as Antiques and Art Around Florida and has been a collector of antiques and memorabilia for more than twenty years.  


About Nekrassoff

After the Communist Revolution, Nekrassoff went to Germany and then Paris, France.  It was apparently at this time that Serge Nekrassoff began to develop a method of hammering copper that worked without the usual annealing process.The Paris pieces date from 1920. Comes to America, first to Philadelphia and then opens a shop in New York City in 1925 His designs were apparently simplified from work done in Argentina.  This would be the period when Nekrassoff was using the NEKRAS stamp on his pieces.  The majority of pieces made at this time were pewter.

In 1931, Nekrassoff shop moved to Darien, Connecticut. By this time, pieces being produced were made in pewter, copper, and a combination of pewter and copper pieces. At this time, his son, Boris, joined him to design and make these decorative items.  The shop appears to have employed up to 18 craftsmen in this period.  Each piece was stamped in script, "Nekrassoff" in the back and the later bird plates were hand-signed "Nekrassoff" on the front.

Nekrassoff pieces were sold around the world, from the US, Canada, South Africa, and London, England. This market ended at the time of WWII and the focus became US shops.

After World War II, copper was the basic metal used, perhaps due to the prohibitive cost of pewter.  It appears there were 7 master craftsmen employed after WWII in the shop. By the late 1940's, he is "painting" with fine powdered glass on copper, (enameling process).  He is apparently one of a few artists working with enamels at that time.

Many enamel pieces at this time were copper/enamel plates with hand-painted bird scenes. (See Image of Cardinal Plate below for a sample piece). These bird designs included: Goldfinches, Cedar Waxwings, Cardinals, Scarlet Tanagers, Chickadees, Quail, Pelicans, Bald Eagles, Gulls, Robins, and others).

 These Bird designs were produced through several decades and were sold through department stores such as Abercrombie & Fitch Co. The shop moved to Florida, and was then called "Serge S. Nekrassoff and Son."  Serge Nekrassoff retired in 1979 and Boris took over the shop. He closed the shop in 1982.  Apparently, all American made pieces date from ca. 1925 - 1982. It was in this later period, when pewter and copper pieces were stamped with 'Nekrassoff' and a shield, or crest, design.

Buell Whitehead (Fort Myers, Florida, 1919 - 1993)

A fine American lithographer and painter, Buell Whitehead belongs to that unfortunate list of artists who are mainly 'discovered' after their death. He received little or no artistic training and graduated from a Ft. Myers high school in 1937. In his early years it is interesting to note that Whitehead worked in the Ft. Myers laboratory of the famous inventor, Thomas Edison. As a boy he actually assisted Edison in his experiments on the development of the nickel battery.

Buell Whitehead used his own inventing skills to create, design and lithograph a board game from which he hoped to earn a good livelihood. Parker Brother's, however, launched a law suit, claiming the game bore some similarities to Monopoly, forcing him to abandon this pursuit. He then turned his attention to artistic lithography and during the 1940's traveled to the American west on several occasions, where he actually sold his art door to door.

Sometime in the 1950's Buell Whitehead returned to Florida where he established and owned a trailer park. He died there in 1993.

Buell Whitehead created lithographs in both color and black and white. The subjects range from stylized landscapes of Illinois, Colorado, New Mexico, Florida and elsewhere to pure fantasy scenes with processions of fantastic figures. Regardless of the work, there are always amazing, surreal elements that challenge and expand our imagination within a Buell Whitehead lithograph.


 

2006 Auction Themes

 

About St. Gaudin's Gold Coins

 

Considered by many to be America's most inspired and beautiful coin, its creation stems directly with President Theodore Roosevelt's contempt for the bland designs of his day. He was inspired by ancient Greek coins he saw while visiting the Smithsonian in 1905 and became determined that the United States needed coins befitting its status in the world. Augustus St. Gaudens, one of America's greatest sculptors, was commissioned to create the new designs and he began with the highest denomination, the Double Eagle or Twenty Dollar gold piece. The finished product, while not entirely true to the artist's conception, is nonetheless a tremendous work of art and today the $20 'Saint' is among the world's most popular and sought-after coins. It was minted from 1907 through 1933, with the latter date presently holding the world's record price for a single coin at $7,590,000 in July of 2002.

Litherland, Davies & Co. was in business in Liverpool from 1816 to at least 1877, as a watch, clock, and chronometer maker.

 

About Pin Cushion Dolls

 

Pincushion dolls are not really dolls and often were not even pincushions. Some collectors use the term half-doll. The top half of each doll was made of porcelain. The edge of the half-doll was made with several small holes for thread, and the doll was stitched to a fabric body with a voluminous skirt. The finished figure was used to cover a hot pot of tea, powder box, pincushion, whisk broom, or lamp. They were made in sizes from less than an inch to over 9 inches high. Most date from the early 1900s to the 1950s. Collectors often find just the porcelain doll without the fabric skirt.--Kovels

 

About William Fisher (1891-1985)

 

William Fisher was born in Brooklyn, NY in 1891. He studied at the Brooklyn Institute of Art and Science and at Pratt Institute. Following service as an ambulance driver in WWI, he remained in Europe after the war and studied painting in Rome, Italy for one year. Upon his return from Rome, to New Jersey, he pursued his painting and began to teach small art classes.

In the 1920's Fisher became a successful illustrator. His work appeared in Saturday Evening Post, Mc Calls, Harpers and other magazines.

 

Edmund Osthaus Painting Scores Night of World Series.

 

About Edmund H. Osthaus (1858-1928)

Born in Hildesheim, Germany, Edmund Osthaus studied at the Royal Academy in Dusseldorf. There he studied under such artists as Andreas Muller, Peter Jansen, E.V. Gebhardt, E. Deger and Christian Kroner. In 1883, Osthaus came to the United States, where he became the principal of the Toledo Academy of Fine Arts in Toledo, Ohio. After the school closed, Osthaus devoted himself to painting.

Hunting and fishing were his passion, and became the subject of most of his works. However, his specialty was hunting dogs, and he quickly became known for his detailed and life-like portraits of them at work and play. Osthaus followed dog shows and sporting events, and his dog portraits include field trial champion pointers and setters.

In 1911, Osthaus established a studio in Los Angeles, California, and remained based there for the remainder of his life. He also maintained homes in Ohio and New Jersey, as well as a hunting lodge in Marianna, Florida, where he died at the age of seventy.

His works are held by the Toledo Museum of Art and are collected by hunting and fishing aficionados all over the world. Reference: November/December 2002 Wildlife Art, “Artists in California, 1786-1940” by Edan Hughes

About Leon Herbo

Leon Herbo was a Belgian genre and portrait painter, born in Templeuve on October 7, 1850. A pupil of Legendre and Stallaert at both the Academies of Tournai and Brussels, Herbo mastered the art of fine detail. He then continued his studies in France, Germany and Italy before returning to settle in Brussels. His debut exhibition was in 1875, and he took part in exhibits throughout Europe. He was a prolific artist and it is believed that he produced over 1200 paintings during his lifetime.

In 1876, Herbo, Julien Dillens and Emile Namur founded L’Essor, the Belgian realist school. The group’s members were concerned with realism, each of them, however, finding their own style and emphasizing their varied personalities. The Brussels based group organized annual exhibitions from 1876 – 1881, as well as later exhibitions for its members in Oestde, Antwerp and London. In 1891, on the occasion of the group’s 15 year anniversary, the “Essorians” opened at the Brussels Museum with a historic retrospective exhibition of the works of their founding members; among them were a number of works by Herbo. In 1889 Herbo received an Honorable Mention at the Universal Exposition in Paris and was made a Knight of the Order of Leopold. He continued working in Brussels and began teaching at the Academy, where he would soon take over as Director. Today, examples of his work can be found in both public and private collections.

About Frank Henry Shapleigh (1842-1906)

Frank H. Shapleigh was born in Boston and studied painting at the Lowell Institute of Drawing.  In 1867-1868, he sailed to Europe where he studied in the studio of Emile Lambinet (1815-1877).  Shapleigh painted throughout New England, in St. Augustine, Florida, California, and in Europe.  From 1877 to 1893 he was artist-in-residence at the Crawford House in the White Mountains of New Hampshire.He wintered at the Ponce de Leon Hotel, St. Augustine, in 1886-1887, and he became the artist-in-residence at the hotel from 1889 until 1892.  After a trip to Europe in 1896, he built a summer home and art studio in Jackson, New Hampshire, which he called "Maple Knoll." Today Shapleigh is best known for his well-executed White Mountain landscapes which include all of the major tourist attractions and personal, intimate landscapes of New Hampshire.  Shapleigh painted Mount Washington and the other well-known mountains from dozens of different locations. Shapleigh often inscribed the location of his painting on the back of his canvas, providing an invaluable record of the subjects of his works.

About F. Ballard Williams (1871 - 1956)

 

A painter of romantic and decorative canvases, Frederick Williams began his career by painting with rich, thick pigment, landscapes with women, usually in gorgeous 18th-century gowns of brilliant color. These works reflected his exposure to French rococo painting of Antoine Watteau. He was born in Brooklyn, New York, and was educated in the public schools of Bloomfield and Montclair, New Jersey, and took night art classes in New York City at Cooper Union.

 

About Marie Osthaus Griffith (1855-1927)

 

Toledo painter and wife of Edmund H. Osthaus. Griffith painted flowers and landscapes, and was a member of the Athena Society (Toledo).

 

About Paul Bernard King  (1867-1947)

 

Paul King's versatility, artistic maturity and mastery of technique and medium are hallmarks of Paul King's art. His diverse works of portraits, landscapes, rural scenes and illustrations establish his reputation in the first quarter of the century. From 1906, when his oil painting "Hauling in the Anchor Line" (date and location unknown) captured the Salmagundi Club's top two prizes, King regularly received recognition.

 

2005 Auction Themes

 

About John Francis Murphy

 

(b Oswego, NY, 11 Dec 1853; d New York, 10 June 1921). American painter. A self-taught artist, he depicted the coastal flatlands of New York and New Jersey and similar countryside in New England. His early work until c. 1885 was based on direct observation of nature and was often small-scale, for example Summer Afternoon (1875; Salt Lake City, U. UT, Mus. F.A.). In middle-period works, such as New England Landscapes (n.d.; Springville, UT, Mus. A.), Murphy was influenced by A. H. Wyant, George Inness, Homer Dodge Martin and the Barbizon school painters Corot, Rousseau and Daubigny. He spent summers at Arkville in the Catskill Mountains from 1887, and Wyant’s presence there between 1889 and 1892 had a pronounced influence on Murphy’s developing Tonalist style. His work of this time consists of spare expressions of barren wind-blown land painted with a limited palette. Murphy typically prepared his canvases early to give time for the underpaint to dry and then applied brown and gold, which he flattened with a palette-knife as a basis for later stages of rubbing (with pumice), lacquering and glazing. After 1900 Murphy painted some of his finest oils, including Sprout Lake (1915; Washington, DC, N. Mus. Amer. A.), in which he achieved an almost pure tonal unity.-- From Artnet.com

2004 Auction Themes

 

About Herman Herzog (1832-1932)

Herman Herzog was born in Bremen, Germany, in 1832. He studied at the Dusseldorf Academy, and built a solid reputation for himself in his homeland before immigrating to Philadelphia in 1869. His patrons include Queen Victoria, the Grand Duke Alexander of Russia, and other royalty. He exhibited in the Paris Salon in 1863 and 1864, winning an Honorable Mention.

While in Paris, it is thought that Herzog came into contact with the popular Barbizon School, whose adherents painted the grandeur and beauty of Nature in a romantic and realistic style. The effect of the Barbizon painters can also be seen in Herzog's poetic handling of mood and color. Although he was still in Europe, Herzog sent several paintings for exhibition at the Pennsylvania Academy from 1863 to 1869. He had several friends in the United States and they were developing a rather good demand for his work.

Once in the U.S., Herzog traveled extensively, painting his was across the western state going in 1873 to Yosemite, then to Wyoming, Oregon, and along the West Coast to the Coronado Island, near the Mexican border. Herzog made several journeys west, finding each trip more fruitful than the last. An inveterate traveler, Herman Herzog covered a great deal of territory in the United States. From Maine to Florida, from the east coast to the Rocky Mountains, Herzog recorded the many and varied views of the nineteenth-century American landscape. He often biked, hiked and climbed to his painting sites and that left a heritage of paintings recording the unspoiled mountains, lakes, fjords, and coastal scenes of his time.

He became known for romantic-realist landscapes, mountains and depictions of Yosemite, receiving great acclaim for a fine El Capitan, much in the style of his fellow countrymen and painters Albert Bierstadt and Worthington Whittredge (who also studied in Dusseldorf).

In 1876, Herzog participated in the Centennial Exhibition in Philadelphia, showing a Norwegian scene and a Yosemite landscape, which earned him a Bronze Medal. In 1882, he exhibited two paintings of Pennsylvania at the National Academy Annual Exhibition. His last trip west was in 1905, at the age of 74. It is difficult to date Herzog’s paintings with precision. He sometimes worked directly from nature, but also recalled scenes years later to create landscape paintings.

A wise investor, Herzog worked without the pressure to sell his paintings in his lifetime. Between 1885 and 1910, Herzog made regular visits to see his son Lewis Herzog in Gainesville, Florida. The lush vegetation between the Suwannee and Homossassa Rivers appealed to the artist's taste for quiet drama, and Herzog created more than 250 Florida views. With a loose brushstroke and a keen interest in atmospheric effects is a reflection of the artist’s preoccupation with the transient effects of light. His Florida paintings are a painted record of unspoiled Florida. In 1931, he and his son participated in a joint New York gallery exhibition.

Herzog died in Philadelphia in 1932, at the age of 100. At the time of his death in 1932, his estate contained about 1000 works. Following his death in 1932, his family retained a large group of his paintings, most of which were released to the art market in the 1970s.

Around 25 museums worldwide hold Herzog collections. Collections include Metropolitan Museum of Art; National Museum of American Art; Museum of Fine Arts, Boston; New York Public Library; Crocker Museum (CA); Cincinnati Art Museum (OH); Reading Museum (PA); Hanover, Goth and Mulhouse Museums; Bancroft Library, UC Berkeley; Memorial Hall, Philadelphia (PA); Harn Museum at the University of Florida (Florida Marsh Scene).

Auction houses that have sold Herzog's works include Sotheby's, Christies, Butterfields, Doyles, and others. His auction record is strong with a range $57,500 for a 63" x 52" oil, to $1,650 for an 8" x 11" watercolor.

About Julian Onderdonk (1882-1922)

See the Ocala Star-Banner Article.

 

Known as the "Bluebonnet Painter", Robert Julian Onderdonk was a Texan who spent his summer's in New York City and the remainder of the year in San Antonio. He earned his title from the many wildflower paintings he did of the flowering fields near his hometown.

 

Julian Onderdonk, was best known for his impressionist landscapes and bluebonnet paintings and showed a remarkable talent from his infancy. He received his early training form his father, Robert Jenkins Onderdonk and at the age of seventeen he moved to New York and studied at the Art Students League, where he studied landscape painting under William Merritt Chase, Du Mond and Robert Henri, winning recognition and always expressing individuality in his work. Onderdonk married at an early age. Living in New York and sometimes working at his art day and night to support his family.

He returned to San Antonio in 1909 and painted only what he loved and wanted to paint. The bigness of Texas with it's characteristic subjects; Hillsides covered with bluebonnets & dusty roads, which captured the atmospheric conditions of misty mornings in the bluebonnets with the full character of the twisting native oak trees & headwaters of different streams, where he found the colors wonderful in varying lights. These are the subjects Julian Onderdonk loved and longed to put on canvas.

Julain Onderdonk refused to follow his fathers vocation as a teacher, but always gave his time and influence to art interests and activities at the San Antonio Art League.  After returning from New York, He was responsible for the art exhibits for the State Fair at Dallas, collecting and arranging the canvases. Onderdonk's pictures were frequently exhibited at the National Academy in New York, where his Texas scenes were highly praised. The Texas artist Frank Reaugh praised him as one of the best foreground artists of the American School. At the time Onderdonk died, there were five of his canvases at the Howard Young Galleries in New York. His last picture "Dawn in the Hills" was forwarded to the National Academy by his wife shortly after his death. The painting is now part of the permanent collection of the Witte Museum. He was a member of the Salmagundi Club, Allied Artists of America & the San Antonio Art League.  Museums that include Julian Onderdonk's works. 

About the Highwaymen (Excerpt from Ocala Style Magazine)

"Just how hot are the Highwaymen right now? Plenty hot.

In the forthcoming movie, "Catch Me If You Can" (directed by Steven Speilberg for DreamWorks and starring Leonardo DiCaprio and Tom Hanks), selected paintings by Highwaymen artists James Gibson and Sam Newton will set off the bank walls, according to a recent article published in the St. Petersburg Times.

And Universal Studios went with a Johnny Daniels painting for an upcoming movie, says Jean Tyson, owner of Tyson Trading Company in Micanopy.

National Public Radio recently broadcast a Highwaymen piece, and the New York Times -- the ultimate barometer of when a trend has "made it" -- recently ran a feature article in their arts section.

In 2001, the University Press of Florida published the well received The Highwaymen: Florida’s African-American Landscape Painters, and on a smaller scale, These Diamonds, a CD of Florida folk songs released by the Will McLean Foundation, features a painting of a St. Lucie inlet by Al Black on its cover. Margaret Longhill, president of the group said Black donated the painting to the foundation.

And now the Highwaymen are at the Appleton Museum of Art, gracing the same walls that not too long ago hosted Monet, Picasso, and Degas. Yes, the Highwaymen have finally arrived."

Excerpt from "About The Highwaymen Painters." From: Mallory McCane O'Connor, author of Lost Cities of the Ancient Southeast.

"The Highwaymen introduces a group of young black artists who painted their way out of despair awaiting them in citrus groves and packing houses of 1950s Florida. As their story recaptures the imagination of Floridians and their paintings fetch ever-escalating prices, the legacy of their freshly conceived landscapes exerts a new and powerful influence on the popular conception of the Sunshine State.

While the value of Highwaymen paintings has soared in recent years, until now no authoritative account of the lives and work of these black Florida artists has existed. Emerging in the late 1950s, the Highwaymen created idyllic, quickly realized images of the Florida dream and peddled some 100,000 of them from the trunks of their cars."

James Gibson, still a "Highwayman" painter, presenting Governor Bush with a painting of a Royal Poinciana. Also known as the Flame Tree, the Royal Poinciana is one of Floridians' favorite trees; it has become a trademark painting for the Highwaymen.  Highwaymen Paintings by Gibson Exhibit is scheduled for February 2003 through May 2003 for the Governor's Gallery exhibition.

Highly Collectable Highwaymen Painters Include:

  • Curtis Arnett

  • Hezekiah Baker

  • Al Black

  • George Buckner

  • Ellis Buckner

  • Robert Butler

  • Mary Alice Carrol

  • J. "Hook" Daniels

  • Fox (first name unknown)

  • James Gibson

  • Alfred Hair, aka "A. Hare" and "A. Hir"

  • Israel Knight

  • Lewis McDaniel

  • R. A. McClendon

  • Harold Newton

  • L. Newton

  • Sam Newton

  • Livingston Roberts, aka "Castro"

  • Charles Walker

Partial List courtesy of Jim Fitch, Kissimmee Gallery, 13300 U.S. 98, Sebring, FL 33870

The following is a list of "Highwaymen" artists that were inducted into the Florida Artists Hall of Fame on March 24, 2004--from Floridahighwaymen.com

C. Arnett
H. Baker
A. Black
E. Buckner
*
G. Buckner
*
R. Butler
M. A. Carroll
J. Daniels
W. Daniels
R. Demps
J. Gibson
A. Hair
*
I. Knight
R. L. Lewis
J. Maynor
R. A. McLendon
A. Moran
*
H. Newton
*
L. Newton
S. Newton
L. Roberts
*
W. Reagan
C. Smith
C. Walker
S.M. Wells
C. Wheeler

* = deceased

Short Article: Antique toys as an investment.  Check out this antique toy glossary to brush up on your toy lingo.

Here's help in identifying toy molds with a list of companies that manufactured and/or sold metal molds in the US. If you have the boxes your antique toy trucks came in, you can use bar code and ZIP Codes. Here is how: 5 digit ZIP codes were first implemented by the US Post Office in 1963. In 1983 the Post Office implemented ZIP + 4. So if your antique toy trucks have a ZIP code of 5 digits, it dates between 1963 and 1983. If it has a 5 digit code followed by a 4 digit code, it dates from 1983 or later. 

New abbreviations for states became prominent around 1963. Between 1943 and 1963, the largest U.S. cities used "postal zones." These postal zones can date major centers, such as Houston, as being in that twenty year period (1943 to 1963). If your antique toy trucks have a postal zone number following the state in the address, it dates between 1943 and 1963. 

If your antique toy trucks have boxes, the bar code method of pricing began use in mass commercial applications around 1975. So if your antique toy trucks boxes have bar codes on them, figure a date after 1974 and most likely after 1981. 

If your antique toy trucks were made in Japan or China here is some more information: Antique Toy Trucks marked "Made in Occupied Japan" date from the U.S. Army's years of occupation after World War II, being 1945 - 1952. More rare are antique toy trucks marked "made in Nippon". These was made in Japan between 1891 and 1921. If marked "made in Japan" it's after 1921. 

Toys marked "Made in China" or "Made in the Peoples Republic of China" most commonly date after the U.S. and China Trade Agreement of 1979. From:  Antique-Antiques.Com.

2003 Auction Themes

2002 Auction Themes

Did You Know?

 

golf history

Did you know that King James II took the drastic measure of banning golf  in 1457? He feared regular golfing would interfere with archery skills, the main form of warfare at the time. Obviously, THAT didn't work. Here's a brief article about collecting golf antiques and memorabilia.

 

One of the entertaining aspects of antiquing and collecting is reading real life stories of treasure hunting in dusty attics, the deals and steals, the rare finds, and the little and BIG "boo-boos" often learned the hard way!  -- Antiques Road Show Website

 

 

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